1. |
for melodicas
12:56
|
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2. |
wavelet raster
10:11
|
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3. |
for xylophone
12:08
|
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supported by 4 fans who also own “synthetics [a]”
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supported by 4 fans who also own “synthetics [a]”
One of the things that I love is the endless possibilities of texture and noise that a human voice/breath can make, and this album is astounding in the range that the artist explores.
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Old Time Music
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I loved reading through the complications and spectacular efforts that went into creating these pieces, but even more the works in themselves are masterful structures full of meaning and compelling invention. One of those rare records that leaves you able to imagine vast fields of unexplored musical territory, and assures you that the explorer sent out to them is sure to exceed what you can imagine
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St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
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Infusing live drums with glitched-out guitar fuzz and politically charged bars, Youniss reckons with a world still entrenched in anti-Blackness.
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The Dark Jazz Project
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A brain-breaking collision of jazz, noise, and electronic music, The Dark Jazz Project is in a sound world all its own.
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supported by 4 fans who also own “synthetics [a]”
beautiful meditations as always from ellen arkbro
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